Question
Assalamu
alaikum,
My Imaam says
that if you stop on a madd muttassil (e.g. fis samaaaa) in Hafs in the way of
Shaatibiyyah one is allowed to stop with four or six counts. He insists this
is detailed in the poem of Imaam Shaatibiyy, but I do not recall reading it on
your site. Is this so, and can you point out the section of the poem detailing
this?
Was salam
Answer
Wa
alaikum assalaam wa rahmatu Allahi wa barakatuh,
This
concept is under the heading of two reasons for one medd occurring in one word ,
and this concept is not unique to Hafs, but of course the vowel counts
for an individual word varies in the qira’aat.
When we look at the word
we
see the obvious
,
but when stopping on this word, we also have the conditions for
, which is a medd
letter followed by one voweled letter and we are stopping on it with a
transient or condition sukoon. The
lengthening of
is
two, four, or six vowel counts. The
lengthening of
is
four or five vowel counts. Since
is
considered a stronger medd, we cannot employ
if
we are lengthening it in our reading two vowel counts.
If we are lengthening
four
vowel counts in our recitation and
also
four vowel counts, we then stop on this word with four vowel counts with both
reasons for the medd being present.
If
we are lengthening
five
vowel counts in our recitation and
four
vowel counts, then we would stop on this word with five vowel counts and there
would be only one reason for the lengthening, being
.
If
however, we are lengthening all of
six
vowel counts in our recitation, then we would stop on this word with six vowel
counts with only
being
the reason for the medd. Six vowel
counts for
is
considered similar or in the same category as
, which is the strongest of all
mudood.
In
conclusion the only time we would stop on the word
or
any other word with the same type of conditions with six vowel counts is if we
are lengthening all
six
vowel counts.
This is a point
often misunderstood by some in tajweed, but clearly laid out in the old
classic tajweed books by the famous scholars.
Please
see the lesson on the stronger of two reasons:
and
you would note that there are lines of poetry about the two reasons for a
medd, but they are not from Ash-Shaatibiyyah. Click
here.